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    <lastmod>2025-07-31</lastmod>
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    <loc>https://www.clayfjohnson.com/poems/the-hecatean-ides</loc>
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    <lastmod>2023-07-09</lastmod>
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    <lastmod>2025-07-31</lastmod>
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    <loc>https://www.clayfjohnson.com/poems/edinburgh-ecstasies</loc>
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    <lastmod>2023-04-05</lastmod>
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      <image:title>Poetry - Edinburgh Ecstasies - Make it stand out</image:title>
      <image:caption>Illustration to “Edinburgh Ecstasies”, printed in A Ride Through Faerie &amp; Other Poems (2021) by Clay Franklin Johnson, published by Gothic Keats Press</image:caption>
    </image:image>
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  <url>
    <loc>https://www.clayfjohnson.com/poems/whitby-abbey</loc>
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    <lastmod>2021-11-08</lastmod>
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  <url>
    <loc>https://www.clayfjohnson.com/poems/my-little-green-secret</loc>
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    <lastmod>2023-04-05</lastmod>
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      <image:title>Poetry - My Little Green Secret - Make it stand out</image:title>
      <image:caption>Illustration to “My Little Green Secret”, available in A Ride Through Faerie &amp; Other Poems (2021) by Clay Franklin Johnson, published by Gothic Keats Press</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.clayfjohnson.com/poems/the-ladies-of-lancashire</loc>
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    <lastmod>2020-08-18</lastmod>
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  <url>
    <loc>https://www.clayfjohnson.com/poems/the-promise-of-a-polidori-sore-throat</loc>
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    <lastmod>2020-04-21</lastmod>
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  <url>
    <loc>https://www.clayfjohnson.com/poems/frozen-starlight</loc>
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    <lastmod>2022-11-06</lastmod>
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  <url>
    <loc>https://www.clayfjohnson.com/poems/krysten</loc>
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    <lastmod>2020-08-18</lastmod>
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  <url>
    <loc>https://www.clayfjohnson.com/poems/ghosts-of-1816</loc>
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    <lastmod>2020-04-21</lastmod>
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  <url>
    <loc>https://www.clayfjohnson.com/poems/finding-hecate</loc>
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    <lastmod>2020-08-18</lastmod>
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  <url>
    <loc>https://www.clayfjohnson.com/poems/she-walks-in-moonlight</loc>
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    <lastmod>2020-08-18</lastmod>
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  <url>
    <loc>https://www.clayfjohnson.com/writings</loc>
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    <priority>0.75</priority>
    <lastmod>2025-05-05</lastmod>
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  <url>
    <loc>https://www.clayfjohnson.com/writings/british-association-for-romantic-studies-romantic-poets-clay-franklin-johnson</loc>
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    <lastmod>2025-05-05</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ca2ccd0ab1a624e8b5d1dc9/f815ee01-77ff-4b18-94f3-c3ec711dbb84/British+Association+for+Romantic+Studies+BARS+Clay+Franklin+Johnson.jpg</image:loc>
      <image:title>Writings - The British Association for Romantic Studies (BARS), “Romantic Poets” Series - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.clayfjohnson.com/writings/brian-nisbet-poetry-award-george-macdonald-clay-franklin-johnson</loc>
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    <priority>0.5</priority>
    <lastmod>2024-12-19</lastmod>
  </url>
  <url>
    <loc>https://www.clayfjohnson.com/writings/on-the-200th-anniversary-of-lord-byrons-death</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-24</lastmod>
  </url>
  <url>
    <loc>https://www.clayfjohnson.com/writings/gramarye-journal-gothic-faerie-clay-franklin-johnson</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-07-22</lastmod>
    <image:image>
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      <image:title>Writings - “A 19th-century influence of Gothic Faerie: The fairy tree, fairy lover, fairy art, and fairy revenge in Clay Franklin Johnson’s poem ‘A Ride Through Faerie’”</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ca2ccd0ab1a624e8b5d1dc9/1685168670405-JLUREAT35XHGO6Q8F37I/John+Anster+Fitzgerald+Artists+Dream+Clay+Franklin+Johnson.jpg</image:loc>
      <image:title>Writings - “A 19th-century influence of Gothic Faerie: The fairy tree, fairy lover, fairy art, and fairy revenge in Clay Franklin Johnson’s poem ‘A Ride Through Faerie’”</image:title>
    </image:image>
    <image:image>
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      <image:title>Writings - “A 19th-century influence of Gothic Faerie: The fairy tree, fairy lover, fairy art, and fairy revenge in Clay Franklin Johnson’s poem ‘A Ride Through Faerie’”</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ca2ccd0ab1a624e8b5d1dc9/1685129776843-N0VI5ODVC6ABNUQKX0XD/Clay+Franklin+Johnson+John+Anster+Fitzgerald+Ill+Met+by+Moonlight+A+Ride+Through+Faerie.jpg</image:loc>
      <image:title>Writings - “A 19th-century influence of Gothic Faerie: The fairy tree, fairy lover, fairy art, and fairy revenge in Clay Franklin Johnson’s poem ‘A Ride Through Faerie’”</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ca2ccd0ab1a624e8b5d1dc9/1685135300742-CTKLZH0ZYFN0Q25RYINW/Walter+Crane+La+Belle+Dame+sans+Merci+Clay+Franklin+Johnson.jpg</image:loc>
      <image:title>Writings - “A 19th-century influence of Gothic Faerie: The fairy tree, fairy lover, fairy art, and fairy revenge in Clay Franklin Johnson’s poem ‘A Ride Through Faerie’” - Walter Crane</image:title>
      <image:caption>La Belle Dame sans Merci (1865)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ca2ccd0ab1a624e8b5d1dc9/1685135353673-Y9O5BOIBDVKSLLFJRB2C/La+Belle+Dame+sans+Merci+Waterhouse+A+Ride+Through+Faerie.jpg</image:loc>
      <image:title>Writings - “A 19th-century influence of Gothic Faerie: The fairy tree, fairy lover, fairy art, and fairy revenge in Clay Franklin Johnson’s poem ‘A Ride Through Faerie’” - John William Waterhouse</image:title>
      <image:caption>La Belle Dame sans Merci (1893)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ca2ccd0ab1a624e8b5d1dc9/1685135389803-FUES9LPH7M1UGSFX12NO/Frank+Dicksee+La+Belle+Dame+sans+Merci+1901+A+Ride+Through+Faerie.jpg</image:loc>
      <image:title>Writings - “A 19th-century influence of Gothic Faerie: The fairy tree, fairy lover, fairy art, and fairy revenge in Clay Franklin Johnson’s poem ‘A Ride Through Faerie’” - Frank Dicksee</image:title>
      <image:caption>La Belle Dame sans Merci (c. 1901)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ca2ccd0ab1a624e8b5d1dc9/1685135404606-HXVTK1KLOVBNY2DBYG4P/Henry+Meynell+Rheam+La+Belle+Dame+sans+Merci+Clay+F.+Johnson+John+Keats.jpg</image:loc>
      <image:title>Writings - “A 19th-century influence of Gothic Faerie: The fairy tree, fairy lover, fairy art, and fairy revenge in Clay Franklin Johnson’s poem ‘A Ride Through Faerie’” - Henry Meynell Rheam</image:title>
      <image:caption>La Belle Dame sans Merci (1901)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ca2ccd0ab1a624e8b5d1dc9/1685135419810-CIDKVF3PUHL469Q01UBD/Frank+Cadogan+Cowper+La+Belle+Dame+sans+Merci+Clay+F+Johnson.jpg</image:loc>
      <image:title>Writings - “A 19th-century influence of Gothic Faerie: The fairy tree, fairy lover, fairy art, and fairy revenge in Clay Franklin Johnson’s poem ‘A Ride Through Faerie’” - Frank Cadogan Cowper</image:title>
      <image:caption>La Belle Dame sans Merci (1926)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ca2ccd0ab1a624e8b5d1dc9/4467852d-e563-4128-9fa6-5946804072f8/My+beloved+Blue+and+Anna.jpg</image:loc>
      <image:title>Writings - “A 19th-century influence of Gothic Faerie: The fairy tree, fairy lover, fairy art, and fairy revenge in Clay Franklin Johnson’s poem ‘A Ride Through Faerie’” - Make it stand out</image:title>
      <image:caption>This is a detail from the third and final illustration to my poem “Lines Written by Moonlight at Whitby Abbey” that honors both my Blue and Anna — these are actual photographs of my beloved pooches incorporated into the illustration, and behind them is Boatswain’s Tomb, complete with “Epitaph to a Dog”.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ca2ccd0ab1a624e8b5d1dc9/1685165732279-H9YU27SLEROXJL25G2KT/Clay+Franklin+Johnson+Keats+La+Belle+Dame+sans+Merci+Ill+Met+by+Moonlight+Fairy+Lover.jpg</image:loc>
      <image:title>Writings - “A 19th-century influence of Gothic Faerie: The fairy tree, fairy lover, fairy art, and fairy revenge in Clay Franklin Johnson’s poem ‘A Ride Through Faerie’”</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ca2ccd0ab1a624e8b5d1dc9/1685165747614-OAN8U5QEX37UI2K539RH/Keats+Lamia+A+Ride+Through+Faerie+Clay+F+Johnson+Fairy+Lover.jpg</image:loc>
      <image:title>Writings - “A 19th-century influence of Gothic Faerie: The fairy tree, fairy lover, fairy art, and fairy revenge in Clay Franklin Johnson’s poem ‘A Ride Through Faerie’”</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.clayfjohnson.com/writings/the-funeral-of-percy-bysshe-shelley-16-august-1822</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-15</lastmod>
  </url>
  <url>
    <loc>https://www.clayfjohnson.com/writings/on-the-200th-anniversary-of-percy-bysshe-shelleys-death</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-07-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ca2ccd0ab1a624e8b5d1dc9/10bd169b-adff-4d4a-af3e-8f27d0e9ae40/Porto+Venere%2C+Spezia%2C+Italy%27+by+William+Stanley+Haseltine.jpg</image:loc>
      <image:title>Writings - On the 200th Anniversary of Percy Bysshe Shelley’s Death - Make it stand out</image:title>
      <image:caption>Porto Venere, Spezia, Italy (1878) by William Stanley Haseltine. The painting depicts a solitary vessel in stormy Italian seas in the Gulf of La Spezia, or the Gulf of Poets, beneath the ruins of Doria Castle and San Pietro, a Roman Catholic church built upon an ancient pagan temple. Just across the bay from Porto Venere is Casa Magni, Shelley’s last residence before his death.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ca2ccd0ab1a624e8b5d1dc9/6e20277b-ecc7-4661-9c33-79510cd132b0/Death+on+a+Pale+Horse+Percy+Bysshe+Shelley.jpg</image:loc>
      <image:title>Writings - On the 200th Anniversary of Percy Bysshe Shelley’s Death - Make it stand out</image:title>
      <image:caption>Death on a Pale Horse (1796) by Benjamin West. Although Shelley draws heavily from the Book of Revelation, it is possible Shelley was familiar with West’s 1817 painting (based on the 1796 version above) which was both exhibited and written about at the time. Last came Anarchy: he rode On a white horse, splashed with blood; He was pale even to the lips, Like Death in the Apocalypse. And he wore a kingly crown, And in his grasp a sceptre shone; On his brow this mark I saw— ‘I AM GOD, AND KING, AND LAW.’</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ca2ccd0ab1a624e8b5d1dc9/58d91b32-111b-4399-9e6a-2027e96ea5ee/Keats+Listening+to+a+Nightingale+on+Hampstead+Heath+by+Joseph+Severn.jpg</image:loc>
      <image:title>Writings - On the 200th Anniversary of Percy Bysshe Shelley’s Death - Make it stand out</image:title>
      <image:caption>Keats Listening to a Nightingale on Hampstead Heath (1845) by Joseph Severn. The nightingale is seen illumed by the moon in the top left corner of the painting.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ca2ccd0ab1a624e8b5d1dc9/c044c3e2-4f33-4c11-932e-f23792e4a119/The+Grave+of+Keats+Clay+Franklin+Johnson.jpg</image:loc>
      <image:title>Writings - On the 200th Anniversary of Percy Bysshe Shelley’s Death - Make it stand out</image:title>
      <image:caption>The Grave of Keats (1873) by Walter Crane. Before leaving Rome in 1873, Crane wrote, “I had, too, some little commissions to finish. Among these was a drawing of Keats’s grave at the Protestant Cemetery, which I had undertaken for Mr. George Howard, for whom the previous spring I had done a drawing of Shelley’s tomb.”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ca2ccd0ab1a624e8b5d1dc9/92024a38-3f7e-41b7-8d4c-ef269fe6ef62/Percy+Bysshe+Shelley%27s+Grave+Walter+Crane.jpg</image:loc>
      <image:title>Writings - On the 200th Anniversary of Percy Bysshe Shelley’s Death - Make it stand out</image:title>
      <image:caption>The Grave of Shelley (1872) by Walter Crane. The grave of Shelley is located in the background, “beneath one of the antique weed-grown towers” of the Aurelian wall. In the same letter before leaving Rome in May of 1873, Crane continues, “Working in that restful garden, beneath the murmur of the cypresses, one might almost feel the spirits of the poets still haunted the place, and could understand the feeling expressed by Shelley that ‘it might make one almost in love with death to think that one should be buried in so sweet a spot.’ As an ardent admirer of both poets I was proud to offer my small tribute to their genius and memory.”</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ca2ccd0ab1a624e8b5d1dc9/61dbd228-feb5-4a62-9665-11ed49931f73/Dante+Gabriel+Rossetti+Doppelganger.jpg</image:loc>
      <image:title>Writings - On the 200th Anniversary of Percy Bysshe Shelley’s Death - Make it stand out</image:title>
      <image:caption>How They Met Themselves (1860) by Dante Gabriel Rossetti. Often in folklore, meeting one’s doppelgänger is thought to foreshadow one’s death. Strangely enough, Rossetti painted this particular version of the doppelgänger while on honeymoon with Elizabeth Siddal. Tragically, Siddal would die just two years later at the age of 32 from an overdose of laudanum. It was possibly suicide.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ca2ccd0ab1a624e8b5d1dc9/846fb524-505e-4e0b-81ce-405d1d4bb25c/Moon+Path+by+Ivan+Aivazovsky.jpg</image:loc>
      <image:title>Writings - On the 200th Anniversary of Percy Bysshe Shelley’s Death - Make it stand out</image:title>
      <image:caption>Moon Path by Ivan Aivazovsky (1817 – 1900).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.clayfjohnson.com/writings/gothic-keats-press</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ca2ccd0ab1a624e8b5d1dc9/f7e7008b-90d5-48eb-bebf-99ca71e9c667/The+Fires+of+Ecstasy+at+Samhuinn+Clay+Franklin+Johnson.jpg</image:loc>
      <image:title>Writings - My First Book of Poetry, Published by Gothic Keats Press - Make it stand out</image:title>
      <image:caption>The illustration depicts the view from Calton Hill with Edinburgh’s Gothic skyline in the background, while the focal point represents the metamorphosis of the goddess Brìghde (associated with spring) into the blue-skinned Cailleach (from Old Irish Caillech, “veiled one”), also known in Scotland as Beira, Queen of Winter.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ca2ccd0ab1a624e8b5d1dc9/d21f05ab-3761-457a-b12d-533089ad35e6/Clay+Johnson+Poet+Edinburgh+Ecstasies.jpg</image:loc>
      <image:title>Writings - My First Book of Poetry, Published by Gothic Keats Press - Make it stand out</image:title>
      <image:caption>Illustration for “Edinburgh Ecstasies”, inspired by my beloved Edinburgh, Percy Bysshe Shelley and his brilliant verse drama The Cenci (note the portrait of Beatrice Cenci incorporated into the illustration, which, according to Mary Shelley, “strongly excited” Percy’s imagination), and my time spent at The Jolly Botanist in Haymarket.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ca2ccd0ab1a624e8b5d1dc9/44d7fff1-906f-4298-be0f-25cef19e17b6/Clay+Franklin+Johnson+Whitby+Abbey.jpg</image:loc>
      <image:title>Writings - My First Book of Poetry, Published by Gothic Keats Press - Make it stand out</image:title>
      <image:caption>Illustration to “Lines Written by Moonlight at Whitby Abbey”, a poem that holds a special place within my heart.  The third and final illustration, which includes actual photographs of my beloved dogs (they were both deeply on my mind at time of composition), a different view of Whitby Abbey, and even a ghostly phantasm of sorts of Boatswain’s Tomb, can be seen here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ca2ccd0ab1a624e8b5d1dc9/fc83195c-43d1-4481-bc9c-8b6faf0a78ba/Clay+F+Johnson+My+Little+Green+Secret.jpg</image:loc>
      <image:title>Writings - My First Book of Poetry, Published by Gothic Keats Press - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.clayfjohnson.com/writings/death-of-john-keats-200th-anniversary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-04-01</lastmod>
  </url>
  <url>
    <loc>https://www.clayfjohnson.com/writings/john-keats-last-letter-to-fanny-brawne-august-1820</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-04-01</lastmod>
  </url>
  <url>
    <loc>https://www.clayfjohnson.com/writings/john-keats-letters-to-fanny-brawne-march-1820</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-03-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ca2ccd0ab1a624e8b5d1dc9/1587432378356-60V1PG4KJS893M0A7FER/Clay+F+Johnson+Poet.jpg</image:loc>
      <image:title>Writings - John Keats's Letters to Fanny Brawne, March 1820</image:title>
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      <image:title>Writings - John Keats's Letters to Fanny Brawne, March 1820</image:title>
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      <image:title>About</image:title>
      <image:caption>Clay Franklin Johnson is a writer, amateur pianist, devoted animal lover, and incorrigible reader of Gothic literature and Romantic poetry. Clay is the author of A Ride Through Faerie &amp; Other Poems (2021), an illustrated collection of poetry published by Gothic Keats Press. His collection’s eponymous poem, “A Ride Through Faerie”, was presented at “Ill met by moonlight”: Gothic encounters with enchantment and the Faerie realms in literature and culture, a conference organized by the Open Graves, Open Minds Project (OGOM) with the University of Hertfordshire. Clay’s poem “The Faery Wood” won the Highly Commended Award, one of two prizes given for the Brian Nisbet Poetry Award 2024 in Huntly, Scotland, which was fantasy themed in honor of Scottish author George MacDonald for the 200th anniversary of his birth. Clay’s writing has been nominated for the Pushcart Prize, Rhysling Award, Elgin Award, received Honorable Mention in The Best Horror of the Year, and has appeared in publications such as Nightingale &amp; Sparrow, The Fairy Tale Magazine (formerly Enchanted Conversation), Abyss &amp; Apex, Ghost Orchid Press, Spectral Realms, Eye to the Telescope, Eternal Haunted Summer, Gramarye, and the British Association for Romantic Studies (BARS), among others. Clay has writing forthcoming in Fairies: A Companion from Peter Lang Oxford in 2025.</image:caption>
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      <image:title>About</image:title>
      <image:caption>“Darkling I listen; and, for many a time I have been half in love with easeful Death, Call'd him soft names in many a mused rhyme, To take into the air my quiet breath” —Ode to a Nightingale “Though I breathe death with them it will be life To see them sprawl before me into graves.” —The Fall of Hyperion: A Dream</image:caption>
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      <image:title>About</image:title>
      <image:caption>“I linger yet with Nature, for the night Hath been to me a more familiar face Than that of man; and in her starry shade Of dim and solitary loveliness, I learn’d the language of another world.” —Manfred</image:caption>
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      <image:title>About</image:title>
      <image:caption>“One secret which I alone possessed was the hope to which I had dedicated myself; and the moon gazed on my midnight labours, while, with unrelaxed and breathless eagerness, I pursued nature to her hiding-places. Who shall conceive the horrors of my secret toil as I dabbled among the unhallowed damps of the grave…” —Frankenstein; or, The Modern Prometheus</image:caption>
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      <image:title>About</image:title>
      <image:caption>“Poetry turns all things to loveliness; it exalts the beauty of that which is most beautiful, and it adds beauty to that which is most deformed; it marries exultation and horror, grief and pleasure, eternity and change; it subdues to union under its light yoke all irreconcilable things. It transmutes all that it touches, and every form moving within the radiance of its presence is changed by wondrous sympathy to an incarnation of the spirit which it breathes: its secret alchemy turns to potable gold the poisonous waters which flow from death through life; it strips the veil of familiarity from the world, and lays bare the naked and sleeping beauty, which is the spirit of its forms.” —A Defence of Poetry</image:caption>
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      <image:title>About</image:title>
      <image:caption>“Some spirit shall escape from his ashes, and whisper to me things unfelt before. I am not satisfied to converse only with the generation of men that now happens to subsist; I wish to live in intercourse with the Illustrious Dead of All Ages. I demand the friendship of Zoroaster. Orpheus, and Linus, and Musæus shall be welcome to me. I have a craving and an earnest heart, that can never be contented with anything in this sort, while something more remains to be obtained.” —Essay on Sepulchres</image:caption>
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      <image:title>About</image:title>
      <image:caption>“Make them free, and they will quickly become wise and virtuous, as men become more so; for the improvement must be mutual, or the injustice which one half of the human race are obliged to submit to, retorting on their oppressors, the virtue of men will be worm-eaten by the insect whom he keeps under his feet.” —A Vindication of the Rights of Woman “She swallowed the laudanum; her soul was calm—the tempest had subsided—and nothing remained but an eager longing to forget herself—to fly from the anguish she endured to escape from thought—from this hell of disappointment.” —Maria: or, The Wrongs of Woman</image:caption>
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